Tennis lessons in the Philippines with Eduline start at the feet. Most missed shots come from arriving half a step late and off balance, then improvising a stroke, so sessions on a court near you build the split step and the route to the ball first, with slow-motion review of your own footage online between court days.
70+
Active tutors
310+
Learners taught
70+
Active tutors
310+
Learners taught
What is
One-to-one tennis for children and adults, built on the two things that decide amateur matches and get the least attention: getting to the ball early and in balance, and constructing points that do not hand away free errors. Stroke technique is taught inside that, on the move, because a swing practiced standing still is a different skill from the one a match asks for.
Key Points
Footwork treated as the primary skill
Consistency valued above power
Serve rebuilt properly where it needs to be
Match play and scoring pressure covered
Hourly rate shown, based on level, setting and area
A court is required: film review is the useful remote half
The real version, and court access is part of arranging it. Movement, balance and timing are the whole subject here, and none of them can be worked on without a ball coming toward you at speed. For a young beginner, the 90 minutes moves across a shorter court with a softer, slower ball, a footwork game, and a real rally, changing activity every few minutes because that is roughly how long a five- or six-year-old holds attention on one drill.
Genuinely useful in this sport because slow-motion footage shows what a player cannot feel: the split step that never happens, the late preparation, the body leaning back on contact.
From the ground up, in the literal sense
Most reported stroke problems are position problems. A good swing from the wrong place is still a bad shot, and adjusting the swing cannot reach it.
Amateur points overwhelmingly end in a mistake. Counting your own for a single set is uncomfortable and reorganises a player's priorities faster than any technical advice.
It decides matches and receives almost none of the attention, because the first serve is more fun to hit. Fixing it also improves the first one, by removing the fear sitting behind it.
Rallying comfortable balls to a stationary player trains a game nobody plays. Points with a score, from early on, are less pleasant and considerably more useful.
Slow motion shows the split step that never happened and the body leaning back at contact. Players consistently do not believe these until they see them, which is exactly why we use it.
A starting hourly rate for your level and setting is shown on the page, and the court and the exact figure are settled in writing before you book.
Which is almost never their weakest stroke
Child or adult, starting properly
The cheapest point to build movement habits, because there is nothing to unlearn. Beginners are usually taught to swing first and move second, which is the order that produces a decade of late arrivals.
Subjects
Focus Areas
Looks better in practice than in a score
Strikes the ball cleanly when it is fed nicely and falls apart when points count. The gap is between hitting and playing, and it is mostly about which balls you choose to attack.
Subjects
Focus Areas
Double faults, or a serve that never threatens
The one shot nobody else influences and therefore the one most worth fixing. Also the most commonly self-taught, which is why so many players have a serve that works at half pace and collapses under pressure.
Subjects
Focus Areas
Club matches, leagues, junior events
Where tactics, fitness and the ability to lose a set without losing the match start to decide things. Also where a player finds out which parts of their game survive being nervous.
Subjects
Focus Areas
Starting from the feet and ending at the scoreboard
Count the points in any amateur match and the large majority end in an error. That single fact should reorganise how most players practice, and for almost nobody does it.
The split step, the first move, and the small adjusting steps nobody notices. A player who arrives early and balanced can hit an average stroke well; one who arrives late cannot hit a good one at all.
Online Tutoring
Film review between court sessionsA real use of the format. Slow-motion footage reveals the split step that never happened and the weight going backwards at contact, both of which players consistently disbelieve until they see them. Each finding goes straight into the next court session.
Timezone: Philippine Standard Time (UTC+8)
In-Person Tutoring
On a court near you, with a coach matched to itIn-person coaching runs on two conditions at once: a coach working near you, and a court you can actually use. Reach out with your neighborhood and your court, whether a private club, a subdivision court or a school's court, and we match the coach who plays out of that area.
Five players we see most
The cheapest time to build movement habits and a grip that will not need rebuilding. A racket sized to the child's arm matters more than it usually gets credit for.
Recommended:
6
common pitfalls
The first one explains most of the others
01
Why it happens
A late arrival forces an improvised, off-balance stroke, and the player sees a bad stroke. So they adjust the grip, the backswing, the follow-through, and the next ball is still reached half a step late.
Our solution
Film a rally and watch only the feet. Most players are startled by how often they are still moving at contact, and it reorganises what they practice.
02
Why it happens
Winners are memorable and errors are not, so players remember the three they hit and forget the eleven they missed. In amateur matches the overwhelming majority of points end in a mistake, which means power is usually paying the opponent.
Our solution
Count your own errors for one set. It is a genuinely uncomfortable exercise and it changes more players' games than any technical correction.
03
Why it happens
Practice time goes to the first serve because it is more satisfying to hit. The second serve is the one that decides matches, because it is the shot you hit when you cannot afford to miss.
Our solution
Spend most serving practice on the second serve, and practice it under pressure, with something riding on each ball. A reliable second serve improves the first one too, because it removes the fear behind it.
04
Why it happens
Drills feed a comfortable ball to a stationary player who knows where it is going. Matches do none of those things, which is why practice standard and match standard can differ so widely.
Our solution
Set up small scored games from the first weeks: best of five points, or first to seven. Comfortable rallying does not ask anything of a player's nerve, and a scored game does, every single point.
05
Why it happens
Almost every serving problem traces back to it, and almost nobody suspects it. If the ball is in a different place each time, the motion has to change each time, which is why the serve collapses precisely when the player is tense.
Our solution
Practice the toss alone, without hitting, until it lands in the same spot repeatedly. Boring, quick, and it fixes more serves than any change to the arm.
06
Why it happens
Playing here in the middle of the day is a physical event in its own right. Legs go, decisions get worse before the player notices, and technique that felt solid in the first set is simply not available in the third.
Our solution
Hydrate before you are thirsty, use the full time between points, and shorten points deliberately once your legs are gone. Managing yourself is a real tennis skill in this climate.
Nearly every player who describes a stroke problem is describing a position problem. The stroke was fine; it was made from somewhere it could not work.
Set by the player's level first, then by whether the session is at a court in Metro Manila, online, or at a court in a provincial area.
From
₱400 / hour
| Home visit, Metro Manila | ₱550 / hour |
| Online | ₱400 / hour |
| Home visit, provincial areas | ₱400 / hour |
Per hour, one tutor with one learner. Home visits run at least 1.5 hours. Packages: 12 hours at 5% off, 24 hours at 10% off.
A beginner sits at the entry rung of the ladder, and a teenager working through match play or heat conditioning sits higher, since the ladder is organized by the player's level. A session at a Metro Manila court costs more than the same hour delivered online or at a court in a provincial area, because a coach and a court both have to be arranged for that visit. Most players train on court once or twice a week and treat online film review as a between-session look at their own footage. Court access is arranged together with the coach, and you get the rate for your level and court location in writing before the first hit.
The first answer redirects most of what people came to ask about
Yes, and the coach starts at your feet, because that is where a breaking forehand usually begins. A player who arrives half a step late has to improvise an off-balance stroke, and what they see afterwards is a bad forehand, so they adjust the grip, then the backswing, then the follow-through, and the next ball is still reached late. Film a rally and watch the feet. Most players are genuinely surprised by how often they are still moving at the moment of contact, and that single observation reorganises what is worth practicing.
Other questions
Send one clip of a rally and say what you notice in your footwork before contact. Mention how often you get on court, whether the serve holds up when the score is close, and what you think the real problem is. Someone watches it and writes back with what to fix first.